Saturday's class at Chorley Town Hall had the highest travel-hours-to-work-hours ratio for a while. I'd put myself forward to do my usual two classes in the day, and they'd agreed to pay me my full day rate. But then a few days in advance I see from the website that I'm only doing one class, from 11.30 to 1.30. Their choice. So the drive up took about three and a half hours, the drive back about three, Hev got a day out in Chorley, and I travelled 6 and a half hours for two hours work. (This ratio has been beaten by a few comedy gigs in the past, where of course I usually only perform for an hour. The record holder is still Chortle Fast Fringe, in Manchester one year, where, in order to appear on stage for a piece that would become a video clip plugging that year's Edinburgh show, I drove for a good seven hours there and back to perform a three minute slot.)
Friday, 4 April 2025
Outer Space No Drinks Beyond These Doors - comics by kids
Saturday's class at Chorley Town Hall had the highest travel-hours-to-work-hours ratio for a while. I'd put myself forward to do my usual two classes in the day, and they'd agreed to pay me my full day rate. But then a few days in advance I see from the website that I'm only doing one class, from 11.30 to 1.30. Their choice. So the drive up took about three and a half hours, the drive back about three, Hev got a day out in Chorley, and I travelled 6 and a half hours for two hours work. (This ratio has been beaten by a few comedy gigs in the past, where of course I usually only perform for an hour. The record holder is still Chortle Fast Fringe, in Manchester one year, where, in order to appear on stage for a piece that would become a video clip plugging that year's Edinburgh show, I drove for a good seven hours there and back to perform a three minute slot.)
Tuesday, 1 April 2025
Shakespeare Omnibus edition now on Amazon, only £14.99
Thanks to D2D, which has become my new print-on-demand go-to, displacing Lulu in my affections, you can now get my Shakespeare Omnibus edition, containing all 3 of my original graphic novels in one 380 page book, on Amazon again. And it only costs £14.99!
The Lulu version was on Amazon once, then it fell foul of their "low content" filter nonsense and disappeared. So the only way of getting it was via Lulu, where it costs you £17.99 plus postage. Now all's right with the world.
I haven't received my first proof copy of the books yet, so let's see if it looks as good as all the rest. But fingers crossed, hoping it does, once more D2D has worked in my favour. Let's see how long we can keep this going.
Monday, 31 March 2025
Romeo, Romeo, where had we got to with Romeo?
It may not look much to you, but this picture (above) marks a significant step forward with my books. We're moving again, creatively.
After a busy time with schools, and the only really productive thing on my desk this year being the colouring of Richard The Third (did it take as long as drawing the book itself? It felt like it), this week I got back to the writing, and eventually drawing, of Romeo And Juliet.
It was over a year ago that, buoyed up by my new agent Emily, I started working on new graphic novel material in the same vein as my Richard The Third. I began by taking another stab at Midsummer Night's Dream, a fresh look at King Lear, and my twisted version of Twelfth Night, aka Twelfth Thing. And, following a meeting with one (rather big) publisher who showed some interest in my Shakespeares and suggested I tackle this most popular play, I began a version of Romeo And Juliet.
Because they were thinking of printing books in just one spot colour, I drew up the first 27 pages of my Romeo with red only colour, looking for all the world like the strips I used to do in the Viz lookalike comics thirty years ago. I had completed these pages by the end of May last year (so my worksheet tells me).