Where did that month go? Edinburgh Fringe 2014 was the fastest moving Fringe I can remember. With my schedule being the busiest ever (26 consecutive shows at 10.30 every night, and Comic Art Masterclasses in libraries and schools on 12 days, with Uncle Stuart's funeral and a day of filming for Newsnight into the mix) it's no surprise that, yet again we saw hardly any shows (4 I think), though we have done the art galleries justice, visiting the Museum of Modern Art, the galleries on the Mound, Inverleith house, Ingleby, City Art Centre, Collective on Calton Hill, National Portrait Gallery, Talbot Rice, Fruitmarket and, my favourite, Summerhall.
My audiences have been good, my numbers up a tiny bit on last year, and the flyering experience has been perfect. Our flat in World's End Close has been the best location ever, I can get to work in 10 minutes, and the avenue that connects Assembly Gardens, The Gilded Balloon, Udderbelly and Pleasance Dome is the most fruitful stretch I have ever flyered - and that's in nearly 15 years of flyering, since my first show here in 2001.
UPDATE Aug 25: My final total has beaten last year by 10 tickets (1663 vs 1653) - in a smaller venue. Last year's Billiard Room show could hold 105 on a sellout, while this year's Sportsman's capacity was 90, so this year I've sold a higher proportion of tickets. My last night was the second best last night ever (74) just beaten by 2010's 77.
The Future Of The Fringe. Well, these two blogs tell us a lot, with both Janey Godley and Richard Herring announcing that they will be coming back next year with Free Fringe shows. Janey in particular thinks the paid for venues are in trouble. I have heard this echoed from a few other sources informally (I thought I'd seen a number of people on Facebook mention poor audience figures, but when I followed them up they turned out not to have said that after all.)
The Edinburgh Comedy Award ended up being won by John Kearns who was playing in PBH's Free Fringe, which must signify something too. I've written a short blog about the early days of the Fringe, based on a book I bought this month, which puts things into a bit of perspective.
The Socks' 2014 show, And So Am I, has been very good, though not my favourite ever. I think the UKIP Song and Oh What A Lovely War are deserved highpoints, and the audience agrees (not had a visual highpoint as good as the burka appearing since we debuted Star Wars back in 2009). The Baby In The Corner running joke is my favourite running joke since we did Who's On First as part of the 2008 show. And there are lots of opportunities for audience rapport in the whole Scottish Independence Debate and European Elections segments - these being so expandable that they often necessitate removing 5 minutes of material from the end of the show.
But that final 5 minutes, the Macbeth as Alex Salmond skit, is one I've been happy to drop half a dozen times. When it works, at breakneck speed hitting the laugh points and moving on, it goes so well nobody has time to notice that it doesn't make logical sense and doesn't really have a proper ending. Robbie the technician (who's been a star) pointed out that the culmination of Baby In The Corner is a perfect end to the show, and I think he's right. When we write the touring version, Alex Salmond and Macbeth will be history (quite possibly in the wide sense, not just in a silly Socks show) but I think our running joke will go on and on.
We've also been getting great laughs from Always A Bastard and Sweary Poppins, but I feel a little guilty because they're items from past shows (Always was 2010 then the tour that included Adelaide, and Sweary was 2009 then every touring show since, though Edinburgh's not seen it for 5 years). Our audiences have been at least 50% new people every night, sometimes 90% newbies, and everybody loves those songs, so why not give them the hits from time to time?
(For the record, Socks In Space is my personal favourite show, followed by a tie between Hollywood, Telly, Boo Lingerie and And So Am I. Turns out I'm quite the Socks fan!)
The rest of my experience can probably be summed up in tweets. We had a great flat, a great show, and a great time. This is a taste of it...
Aug 12: Just failed to flyer
Just failed to flyer W Burdett-Coutts en route to
And totally failed to flyer
Yes! Successfully flyered Rory McGrath. I still got it.
Just successfully flyered
Every night at teatime we've been loving Alias Smith & Jones on ITV4 https://www.youtube.com/watch?v=fHge2ag6dTk … That's our
Not saying it's windy but....
I just learned the techs in my venue are working 22 HOUR DAYS. Any acts wanting to tell us how tired they are, take note.
Good news: finally found this week's
Christina Aguilera's given birth. Didn't even know she was in the Mickey Mouse Club.
Aug 19: Ha ha. Just remembered I came up to Edinburgh 3 weeks ago, and brought shorts with me. Ha ha ha.
I flyered the Foreign Secretary. And last year Jack Straw came to the show. I win Foreign Secretary Edinburgh bingo!
Focus of the Edinburgh
PS: And we're the 298th top-rated show in Edinburgh. Yeah, that's right! http://edinburghfestival.list.co.uk/top-rated/
The Scottish Falsetto Sock Puppet Theatre ...And So Am I is at the Edinburgh Fringe 2014, July 30 - Aug 25 Gilded Balloon, 10.30pm